William Kinsolving
Black and White
and Read All Over
A secret interracial marriage. One of New York’s wealthiest families. And a trial that forced America to decide who was white.
Available in hardcover, paperback, eBook, and audiobook on Amazon Apple Books and Audible.
“An engrossing and captivating novel that resonates with this boisterous era.”
Listen to the Story
“An extraordinary work of historical fiction.”
— Midwest Book Review
Step into 1925
The Soundtrack to
Black and White and Read All Over
From the sounds of the Jazz Age to contemporary songs that echo the novel’s themes of love, race, identity and belonging, William Kinsolving’s curated playlist brings another dimension to the story.
Acclaimed Historical Fiction
Recommended ReadRead the full review
Read it. Listen to it.
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Available in hardcover, paperback, eBook, and audiobook on Amazon Apple Books and Audible.
“An engrossing and captivating novel that resonates with this boisterous era.”
— Historical Novel Society
“Kinsolving masterfully explores themes of race, class, identity, and media sensationalism while maintaining a deeply human story at its center. GET IT”
— Kirkus Reviews
“An extraordinary work of historical fiction.”
— Midwest Book Review
Drawing on trial transcripts, contemporary newspapers, personal letters and diary entries, William Kinsolving’s Black and White and Read All Over reimagines the remarkable true story of the Rhinelander case through the lives of the people who endured it—a story of love under surveillance, privilege and power, and the dangerous distance between what is legal and what is just.
In 1925, America couldn’t look away. A century later, neither will you.
"The book uses fiction to fill the gaps that court records and New York Times articles do not cover, and in doing so breathes new life into this slice of history. The result is a compelling love story between two people brought together by chance and torn apart by forces of race, class and power beyond their control." The Latest From
Discover the hidden stories of America's past—and the novels they inspired.

History warns us. The question is whether we listen.
Does history warn? It’s hard to believe it doesn’t, certainly on a world scale. How many “endless wars” does it take to warn powers with overwhelming military resources that attacking smaller, backward, “helpless” nations might not work? After Vietnam, Iraq and Afghanistan, wouldn’t the United States listen to history and think through some basic logistics before attacking Iran? Of course, we got through Trump’s first term, but kind of overlooked the flashing neon warnings in that history and elected him again. On an individual level, can history alert to danger? Think about someone in the stock market. Many buy and sell millions, succeed or lose millions based on graphs of the past and/or memories of market performance. And if you have to walk down a certain street every day to get to school, and 3 out of the 5 times a week a bunch of guys beat you up for
Is the Truth Still Up for Grabs?
Newspapers, from the staid “gray lady” New York Times to the garbage-can-liner tabloid National Enquirer, all claim—rightfully—that “news” is their main purpose. But they exist on their ability to sell things through advertising. Of course, they have withering competition for the advertising dollar from radio, television and social media. As a result, they are losing editorial and news power as they struggle to survive. But in 1925, when the powerful Rhinelander family sued Alice Jones
Who Decided What Race You Were?
Writing historical fiction is maddening because you can’t include everything you learn! You use what you need for your story, but have to let so much get away. For instance, the Census Bureau has codified race legally since the Constitution created it. It’s always struggled to do so, and no wonder – working first in a slave nation, then one that continued with tortured fractional definitions. In 1890, for instance, part of a Bureau’s enumerators’
Who Gets to Judge? The Forgotten History of Women and Juries
Females were not even mentioned in our founding Constitution. Males dominated its creation, influenced by Mr. Jefferson’s “… all men are created equal” – (except of course Black men who ended up Constitutionally defined as 3/5ths of a human). Until August of 1920, when the 19th Amendment was finally ratified, all women had been created invisible. And that Amendment gave them only a single right: to vote. All other rights came slowly. For instance, the
Yeah, yeah, I live to write, I write to live. So: there's a lot of stuff. Please enjoy.
After Stanford, Kinsolving went to the Oregon Shakespeare Festival to play Richard II. He then attended The London Academy of Music and Dramatic Art. Returning to New York, he appeared as an actor under-, off- and on Broadway. During these years, he acted and/or directed at the Stratford (CT) Shakespeare Theater, Harvard, Dartmouth, Café La Mama, then won the Best Actor of the Year award from the San Francisco Chronicle for his performance at the Berkeley Rep.
Kinsolving wrote his first play backstage. It was awarded a Ford Foundation Playwriting Grant. The play was produced by the Stratford Ontario Shakespeare Festival. This led to his writing and/or doctoring screenplays for every major studio in Los Angeles, London, and Rome, approximately 54 films in toto. He then wrote and published five novels, one a NYTimes bestseller, a couple being chosen as Literary Guild Main Selections.
When the publishing world began to implode, he happily returned to playwriting, with presentations of his new work taking place in multiple venues, and new productions being considered. His musical, THAT WEEK WITH THE BACHS, was presented last year (2023) in San Francisco’s Grace Cathedral.
He now returns to fiction with his novel Black and White and Read All Over, based on the infamous Rhinelander trial of the 1920s, soon to be published in May 2026.